[Chapter-delegates] Musicians 2025 - The Future of Music

[The Washington DC Chapter of the Internet Society]

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Musicians 2022

   Thursday, August 16, 2012 from 6:00 PM - 8:00 PM

   The Washington DC Chapter of the Internet Society and George Washington
   University's School of Law, Intellectual Property Program invite you to
   attend:

   Musicians 2022 - the Future of Music

   It has been well documented that the Internet has completely disrupted
   the music industry from what it had been 20 years ago.Much in-depth
   analysis of music online has been produced from the tech and business
   perspectives. But, what has the Internet meant for musicians, the most
   critical part of the music ecosystem?  Come hear musicians and their
   representatives explain their visions of the future of music, the good,
   the bad and the ugly.

   Free Eventbrite registration required -
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   Moderator:

   Ann Chaitovitz - USPTO

   Panelists:

   Bryan Calhoun - Vice President, [3]SoundExhchange
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   Dick Huey - Founder - [4]Toolshed
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   Kristin Thompson - Co-Director, [5]Future Of Music Coalition
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   Patricia Polach - Associate General Counsel, [6]American Federation of
   Musicians
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   Ann Chaitovitz has more than 15 years of experience representing
   songwriters, publishers and recording artists on the legal and policy
   issues at the intersection of copyright, communications and
   technology.  She is currently an attorney-advisor at the United States
   Patent and Trademark Office, specializing in domestic and international
   copyright law and policy, and has been the Executive Director of Future
   of Music Coalition, the National Director of Sound Recordings at the
   American Federation of Television and Radio Artists (AFTRA), and a
   staff attorney at ASCAP.

   Bryan Calhoun is the VP of New Media and External Affairs at
   SoundExchange, the non-profit performance rights organization that
   collects statutory royalties from satellite and internet radio, cable
   TV music channels and similar platforms for streaming sound recordings
   and distributes the royalties on behalf of recording artists and master
   rights owners. He is instrumental in enhancing the role SoundExchange
   plays in educating the music community.

   Dick Huey is the founder social media grassroots marketing and digital
   consulting powerhouse Toolshed: Dick has orchestrated over 350 digital
   campaigns in his career for A- and B-list artists and record labels. A
   new media pioneer; he launched the New Media department at the Beggars
   Group in 1997, licensed the Group’s groundbreaking digital catalog, and
   set the Group’s strategic direction. Toolshed is a consultant to major
   media brands, most recently procuring independent label content on
   behalf of Spotify in the United States in advance of their 2011 US
   launch. He is a founding new media committee member for the American
   Association of Independent Music (A2IM), a board member representing
   Matador Records at Soundexchange, and a board member at Cash Music.

   Patricia Polach, Associate General Counsel of the American Federation
   of Musicians of the United States and Canada, and Of Counsel at the
   firm of Bredhoff & Kaiser, PLLC:  Trish has represented the AFM for
   over twenty years on issues including Internet piracy, performance
   rights, royalty collection and distribution, and the negotiation of
   fair terms and conditions for musician employment

   Kristin Thompson, Co-director, Future of Music Coalition's Artist
   Revenue Streams Project. The Future of Music Coalition is a non-profit
   advocacy group for musicians. She currently co-directs FMC¹s Artist
   Revenue Streams research project, which is examining changes in
   musicians¹ sources of income. She is co-owner of Simple Machines, an
   independent record label, which released over seventy records and CDs
   from 1991-1998. She also played guitar in the band Tsunami, which
   released four albums from 1991-1997 and toured extensively. She
   currently lives near Philadelphia with her husband Bryan Dilworth, a
   concert promoter, and their son, where she also plays guitar in the
   lady-powered band, Ken.




   Theodore Lerner Hall, Room 302, GW School of Law
   2000 H St NW
   Washington, DC 20052
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reston, VA 20190-5108

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